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Muzzumil Ruheel b. 1985
to be exact, 2018Ink on Wasli Paper
(HSN Code: 970110)60 x 40 inches eachCopyright Muzzumil Ruheel 2018Muzzumil Ruheel uses meticulously rendered Urdu Calligraphy as the basis of his works. The artist’s wider practice is about metaphorical interpretations; investigating perceptions about social to mundane events usually based...Muzzumil Ruheel uses meticulously rendered Urdu Calligraphy as the basis of his works. The artist’s wider practice is about metaphorical interpretations; investigating perceptions about social to mundane events usually based on their documented narratives. He delves into the idea of conversation; from private conversations to confrontational ones he talks of the presence as well the absence of words. In his play of words he twists, mirrors, repeats, isolates alphabets from collected personal and marginalized accounts pointing to the fundamental ways in which our stories are written. The rigorous use of calligraphy amplifies a sense of mystery for the viewer, where we can read the text but a coherent meaning cannot be extracted from any of the texts.Exhibitions
Baaton se baat nikalti hai, TARQ, Mumbai, 2018Literature
Vogue, 11 art shows in India you must catch in July 2022, July 14, 2022
https://www.vogue.in/culture-and-living/content/art-shows-in-india-you-must-catch-in-july-2022-mumbai-delhi-kolkata
Mint Lounge, 'Farewell' - and the idea of the archive, July 23, 2022
https://www.tarq.in/usr/documents/press/download_url/312/2022_07_23-mint-lounge.pdf
Publications
Baaton se baat nikalti hai, Exhibition Catalogue, The Letter is Enough After All, essay, written by Gemma Sharpe, TARQ, 2018